Thursday, May 10, 2012

We Can Fix It In Post, But...

The phrase "We'll fix it in post" is used often, and in most every case, it will get fixed. But what impact does this approach really have on the overall quality and cost of the project? More than ever before, one of the most crucial steps in a successful project is getting post production involved from the start. AICP Minnesota brought together experts from leading post houses around the Twin Cities to discuss the many successes and pitfalls that come with decisions - or indecisions - made early on, before production itself even starts. They talked about the entire workflow, from camera all the way to distribution, so that producers understand the importance of approaching a project with post production involved from the beginning.

Panel of Experts:
Moderator - Steve Fait (Splice)
Camera - Steve Speers (Cine-Mechanics)
Ingest & Media - Carl Jacobs (Splice)
Edit/Offline - Charlie Gerszewski (Channel Z)
VFX - Mark Youngren (Fischer)
Color - Dave Sweet (Pixel)
Audio - Kelly Pieklo (Splice)
Finish/Online - Derek Johnson (Drive Thru)
Deliverables - Sven Shelgren (Crash+Sues)

Every person on the panel stressed the importance of communication, communication, communication, and very early on in the pre-pro process. Early decisions will have an impact down the line. Knowing what you need in the end will help determine the post workflow, starting with what happens on set. Here are some considerations from the panel.

Camera: Consider capability, mobility, aesthetic,and budget when choosing a camera. Decide on format, aspect ratio, resolution, and framerate during pre-pro. You can get to any framerate from 23.98. If you are going to overcrank, you'll have to use 29.97. Remember, sync sound is locked to framerate. Are you going to protect 4:3 for SD Broadcast?

Ingest: This starts on set and involves a DIT, DMT, and Assistant Editor. Get the files and create an LTO backup asap! Do all BU from original files! Sync sound, create dailies, transcode and organize. Remember, all these steps take time to copy, transcode, and render.

Edit: With digital, the amount of footage has grown, increasing time in post. Script notes from Script Supervisors are helpful.

VFX: Informs the production and post process. Involve VFX Supervisor asap to choose proper paths during production. Having Edit, VFX, and Color on set is efficient because it saves money in the long run. If you don't have them on set but have a question, don't hesitate to call!

Color: Discuss the desired look as early as possilbe. Know your vision and give samples of desired looks. Digital no longer means flat. With Alexa and RED, latitude went beyond film.

Audio: Sound should be in the pre-pro meeting to prepare. Communication = efficiency. They often don't need more budget, they need more time. Production sound and post sound should be thought of as a team and should communicate - this can solve problems before even getting on set. The more you capture on set, the more time (and money) you save in post. Get room tone, ambient sound, and impulse responses. Note mic and recording equipment used. Get sound reports. Use broadcast WAV at 48. Each network has different specs, so know your distro path to determine workflow.

Finishing: Get involved early and know deliverables. Keep all data from camera intact. Keep legal in mind to avoid last minute removals (plate numbers, logos, etc).

Deliverables: Determine your deliverables early. Clients don't always know what their deliverables will be. HiDef vs SD. Broadcast vs theatrical vs DVD. Render, compression, and decompression time varies and can take days, so plan ahead.

Thank you AICP for a wonderful event!

Wednesday, May 9, 2012

Books For Africa

Since 1988, Books For Africa has shipped 25 million high-quality text and library books to children and adults in 45 African countries. Millions more are needed. Please do what you can to help BFA collect, sort, ship, and distribute books to the children of Africa.

Aleshia Mueller and His Excellency Elkanah Odembo, Ambassador Extraordinary and Plenipotentiary of the Republic of Kenya to the US at the Books for Africa Fundraising Luncheon. He kindly accepted my humble offering of an "Another Direction" DVD. May 9, 2012.
Lamin Dibba (Gambia), Aleshia Mueller, and Ambassador Howard Jeter (Sir Emeka Offor Foundation) at the Books for Africa Donor Reception. May 8, 2012.

Friday, March 9, 2012

Kony2012 Campaign Reactions

Some friends asked me about my views regarding the Kony2012 campaign. Here is my response.

SHORT ANSWER:

Jason Russell and Invisible Children (IC) don’t have all the answers, but they are doing what they can to try and stop human rights violations in the world. What can you do? What are you doing? Take whatever action you can against human rights abuses anywhere, whether it is in your own home, city or country or across the world in places like LRA-affected Central Africa.

LONG ANSWER:

JOSEPH KONY/LRA HISTORY

In 1986, Alice Lakwena started the Holy Spirit Movement (HSM) in opposition to Uganda’s new president, Yoweri Museveni. She was exiled and in 1987 Joseph Kony took over the HSP and changed it to the Lord’s Resistance Army (LRA), a so-called Christian Malitia that sought a Government based on the Ten Commandments, and that killed anyone who got in their way. Loosing all regional support, Kony resorted to brutal tactics. He abducted children who he abused and brainwashed. Young boys were forced to pillage, murder, mutilate, and rape their own people, even their own families. Young girls were taken as sex slaves for officers.

In 2003, the Ugandan government via President Yoweri Museveni referred the LRA situation to the International Criminal Court (ICC). In 2005, the ICC indicted Joseph Kony and 4 other LRA leaders (Likwiya, Odhiambo, Ongwen, and Otti) in the same case which lists 33 crimes: 21 counts of war crimes and 12 counts of crimes against humanity. Currently, three of the suspects are fugitives at large and two (Likwiya and Otti) are dead.

INVISIBLE CHILDREN (IC) HISTORY

In 2003, three young Americans (Jason Russell, Laren Poole, and Bobby) traveled to Africa and stumbled upon a 20-year war, a conflict where children were both the weapons and the victims. In 2005 they produced the documentary ‘Invisible Children: Rough Cut,’ a film about children affected by the LRA. Many people got interested in the issue and a movement swept the college age nation. The filmmakers saw the potential they had to mobilize communities and raise awareness in the world. In 2006, Invisible Children, Inc. became an official 501(c)3 non-profit.

Jump to today. Several films and advocacy campaigns later, IC decided to step up awareness efforts to try and stop the LRA-induced human rights abuses described in their documentaries and launched the Kony2012 campaign to ‘End War, Stop at Nothing.’ The goal is for more people worldwide to know who Joseph Kony is and to try to bring an end to the Kony and the LRA’s reign of terror in Central Africa.

REACTIONS TO KONY2012

I think the filmmakers have good intentions but flawed execution.

Invisible Children’s (IC) mission is to stop LRA violence and support the war affected communities in Central Africa. IC work towards that mission through 1) producing documentaries to raise global awareness of LRA actions, 2) mobilizing the international community through large scale advocacy campaigns, and 3) operating programs in the LRA-affected areas to provide protection, rehabilitation and development assistance. They spend roughly one third of their funds on each of these three goals.

IC Spending (This is public information)
37.14% Central Africa Programs
25.98% Awareness Programs
16.24% Management & General
9.56% Awareness Products
7.87% Media & Film Creation
3.22% Fundraising

Ida Sawyer, a Congo researcher with Human Rights Watch, said “Invisible Children has been one of the quickest organizations to respond to the needs on the ground, very flexible and willing to work with and listen to the local communities."

IC founders may be idealistic and naïve of the nuances of foreign policy, and the Kony2012 video is self-indulgent, but they see a wrong and are speaking out to try and make it right and I will always commend that. Save the Children's director of policy and advocacy, Brendan Cox says, “Anything which continues to pressurize world leaders to bring Joseph Kony to justice is to be welcomed... This viral film shows that even though Joseph Kony is in hiding his crimes will not be forgotten.”

Ugandan journalist Rosebell Kagumire says, “"The war is much more complex than one man called Joseph Kony." It is about pacifying the region, communities, stopping rebellion before it starts.” I agree that this is complex and not about one person, but this rebellion has already started and has been going on for more than 20 years. Many people and organizations have tried to stop the LRA, but so far no one has succeeded.

The Guardian’s Simon Rawles explained, “The LRA operate in groups of 2 or 3, and attack at random making ordinary life impossible. According to informed assessments, the LRA number little more than a few hundred and are scattered over an area the size of the UK. No one knows where Kony is, and most of his band operate independently. It'll be a hard nut to crack.” While Rawles struggles “to see what difference a mass social media movement can make,” Ida Sawyer hopes “this will create a movement for more pressure so that real action, effective action is taken to end the LRA, and arresting, capturing Kony is a key component of addressing the LRA problem.”

The war against LRA didn't start with IC, but IC can inspire others to raise their voices in unity with LRA victims in Central Africa, to demand justice and to promote peace and rehabilitation in the region.

Some think this campaign is a mute point because Kony and LRA left Uganda after failed peace talks in 2006. IC isn't focused only on Uganda, it is focused on LRA affected areas, which includes but is not limited to Uganda. By no means have Kony and the LRA adopted a peaceful existence. They continue their reign of terror on children and communities in the region (South Sudan, Democratic Republic of Congo, Central African Republic). I’m going to invoke MLK here and say that injustice anywhere is a threat to justice anywhere.

Yes, we need to consider resources at stake, like the oil found near the border. Yes, we need to hear African civilian voices. Yes, Africans can appeal to African Culture and Policy Makers to raise awareness. Yes, we need intellectual campaigns that lead to policy shifts. Yes, many things can be done, there is no single solution. One film can’t be or do everything just like one person can’t be or do everything, but if every single person does the one thing they can, together, we can make a difference.

(RE)SOURCES

http://www.invisiblechildren.com/

http://visiblechildren.tumblr.com/

http://en.wikipedia.org/wiki/Lord's_Resistance_Army

http://en.wikipedia.org/wiki/International_Criminal_Court_investigation_in_Uganda

http://www.guardian.co.uk/politics/reality-check-with-polly-curtis/2012/mar/08/kony-2012-what-s-the-story?fb=native

KONY2012 Letter to President Obama: https://salsa.democracyinaction.org/o/2241/images/Kony%202012%20-%20Letter%20to%20Obama.pdf

Joseph Kony is not in Uganda (and other complicated things): http://blog.foreignpolicy.com/posts/2012/03/07/guest_post_joseph_kony_is_not_in_uganda_and_other_complicated_things

A former child soldier's resonse to Kony2012: http://www.irex.org/news/response-kony-2012-video-former-child-soldier-ricky-anywar

Why make Kony famous? Video rubs raw Uganda scars http://www.msnbc.msn.com/id/46734174/ns/world_news-africa/#.T2LhuBy-tCd

VIDEOS TO WATCH

2011 Video about LRA action in DRC by Simon Rawles at the Guardian: http://www.guardian.co.uk/global-development/video/2011/jul/28/congo-lords-resistance-army-video

Ugandan journalist Rosebell Kagumire’s response to KONY2012: http://www.youtube.com/watch?v=KLVY5jBnD-E&feature=player_embedded

Friday, March 25, 2011

'Oswaldo' Shoot in Cuba - Please Support

'Oswaldo' is a documentary film about Ecuadorian Artist Oswaldo Guayasamin.
If you are interested in Art, Latin America, or Human Rights, this film is for you.

"Oswaldo" es una película documental sobre el artista ecuatoriano Oswaldo Guayasamin.Si usted está interesado en el arte, América Latina, o los Derechos Humanos, esta película es para ti.



Aleshia Mueller at Reel Nomad Productions is producing "Oswaldo," a feature length documentary film that seeks to tell the story of Ecuadorian artist Oswaldo Guayasamín (1919-1999). Guayasamín’s work is characterized by human figures with oversized hands and expressions of pain, anguish, despair, and rage. It evokes strong emotional responses and gives a voice to the voiceless by raising awareness about the abuse of indigenous and underrepresented people. Guayasamín's work is well-known throughout all of Latin America, but Cuba was special for him. He admired the people and was friends with Fidel Castro. Guayasamín painted more than 800 portraits throughout his career, four of which were of Castro.

Producer Aleshia Mueller and Cinematographer David Schnack were recently approved to travel to Cuba on April 3, 2011 to work on "Oswaldo," This is one of the most significant shoots for this film and your help is needed to make it happen! Please spread the word about the project and, if you can, make a supporting donation.

There are three ways to donate:
1. via the “’Oswaldo’ Shoot in Cuba” IndieGoGo fundraising campaign - until March 31, 2011 http://www.indiegogo.com/Oswaldo-in-Cuba
2. to Reel Nomad through PayPal (sales@reelnomad.com) - Ongoing
https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=KYXFUFAMXDT6Q
3. directly to Reel Nomad by check (2900 39th Ave S, Minneapolis, MN 55406) - Ongoing

Donate via IndieGoGo until March 31. PayPal and direct donations are ongoing until the documentary is shot, edited, distributed. Donors get perks depending on donation level.

For more information and updates go to http://www.reelnomad.com/oswaldo.html

Thank you for your support!

Monday, January 4, 2010

Saturday, September 26, 2009

Another Direction screens at MN Historical Society’s 1968 Film Competition

In Reel Nomad's new short documentary, Another Direction, Dick Bancroft recalls some of his memories of 1968. This film was produced for the Minnesota Historical Society’s 1968 Film Competition in partnership with the Atlanta History Center, Chicago History Museum and the Oakland Museum of California. 1968 was a year when war raged, angry protests erupted everywhere, assassinations sent shock waves around the world and images of the whole Earth were beamed back from space for the first time. People say that the events of 1968 "rocked the world."

View all the short films entered in the "1968 Film Competition" and be present as awards are announced at the Minnesota History Center on Sunday, September 27th.



What: Another Direction screening at the Minnesota Historical Society’s 1968 Film Competition
When: Sunday, September 27, 2009
All Film Screenings: 12h00 - 16h00
Another Direction Screening: 15h00 - 16h00
Awards Presentation; 16h00 - 17h00
Where: Minnesota History Center; 345 W. Kellogg Blvd. St. Paul, MN 55102
Cost: Free and open to the public

Another Direction Short Summary
A year split between Kenya and Minnesota. A political view moving from conservative to progressive. A nation torn over the deaths of King and Kennedy. A world erupting in spontaneous acts of student resistance to authority. A family growing during all of the commotion. Dick Bancroft moved in Another Direction.


The 1968 Film Competition Screening Schedule
http://www.mnhs.org/people/1968/film-schedule.htm

The 1968 Film Competition Film Descriptions
http://www.mnhs.org/people/1968/films2009.htm


Thank you for your continuing support. If you are around on Sunday, I hope to see you at the screening!

-Aleshia